The Fuchsthone Orchestra presents pieces from their new CD, together with Greek guest musician Evi Filippou (vibraphone & percussion).
Entry: 18:00h
The FUCHSTHONE ORCHESTRA’s Reloaded #7 tour with Evi Fillipou began in Frankfurt, continued via Düsseldorf and Dinslaken to Singen, and then via Munich and Freiburg back to Cologne. It was a fantastic experience—even though it’s quite a challenge for a self-financed large ensemble that relies on cultural funding, with 23 musicians and sound engineers traveling across the country. But everyone enjoyed the tour. And the audience rewarded the growing enthusiasm with loud applause every evening.
The press wrote:
The FUCHSTHONE ORCHESTRA’s Reloaded #7 tour with Evi Fillipou began in Frankfurt, continued via Düsseldorf and Dinslaken to Singen, and then via Munich and Freiburg back to Cologne. It was a fantastic experience—even though it’s quite a challenge for a self-financed large ensemble that relies on cultural funding, with 23 musicians and sound engineers traveling across the country. But everyone enjoyed the tour. And the audience rewarded the growing enthusiasm with loud applause every evening.
The press wrote:
WEITERE ARTIKEL
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The annual review of the Kunststiftung NRW reports about FUCHSTHONE ORCHESTRA as an example of funding:
“The Fuchsthone Orchestra is one of the most exciting ensembles in contemporary big band jazz. For five years, it has been inspiring audiences with its unique sound and incomparable energy.” (Horst Peter Koll)
The collaboration between composers and conductors Christina Fuchs and Caroline Thon results in unique works that leave plenty of room for improvisation and experimentation. This mixture of compositional sophistication and creative freedom makes the ensemble an inspiring pioneer in contemporary jazz. The Kunststiftung NRW has been supporting the Fuchsthone Orchestra, one of Germany’s major jazz ensembles, for several years.
The article about FUCHSTHONE can be read as an excerpt in PDF format here (sorry, in german language only):
The complete Kunststiftung NRW Annual Review 2024 can be found on the Kunststiftung’s website:
The annual review of the Kunststiftung NRW reports about FUCHSTHONE ORCHESTRA as an example of funding:
“The Fuchsthone Orchestra is one of the most exciting ensembles in contemporary big band jazz. For five years, it has been inspiring audiences with its unique sound and incomparable energy.” (Horst Peter Koll)
The collaboration between composers and conductors Christina Fuchs and Caroline Thon results in unique works that leave plenty of room for improvisation and experimentation. This mixture of compositional sophistication and creative freedom makes the ensemble an inspiring pioneer in contemporary jazz. The Kunststiftung NRW has been supporting the Fuchsthone Orchestra, one of Germany’s major jazz ensembles, for several years.
The full article about FUCHSTHONE can be read as an excerpt in PDF format here (sorry, in german language only):
The complete Kunststiftung NRW Annual Review 2024 can be found on the Kunststiftung’s website:
WEITERE ARTIKEL
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
jazz-fun.de | The online magazine for music and culture
jazz-fun.de is an independent online magazine that deals with topics related to music and culture. Sarah Seidel invited the leaders of the FUCHSTHONE ORCHESTRA for an interview at JAZZAHEAD, the most important trade fair for all those involved in the jazz business. It was about insights into the compositional work and the challenges and opportunities of such a large-scale project! A conversation about sound visions, equality and the power of collective creativity.
The complete interview (video):
jazz-fun.de | The online magazine for music and culture
jazz-fun.de is an independent online magazine that deals with topics related to music and culture. Sarah Seidel invited the leaders of the FUCHSTHONE ORCHESTRA for an interview at JAZZAHEAD, the most important trade fair for all those involved in the jazz business. It was about insights into the compositional work and the challenges and opportunities of such a large-scale project! A conversation about sound visions, equality and the power of collective creativity.
The complete interview (video):
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