No Results Found
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.


PROJECT
“Peaks” are the highlights, events, encounters and experiences of 2025, translated into music by the two composers as “Plots” — the storylines and narratives.

The FUCHSTHONE ORCHESTRA’s Reloaded #7 tour with Evi Fillipou began in Frankfurt, continued via Düsseldorf and Dinslaken to Singen, and then via Munich and Freiburg back to Cologne. It was a fantastic experience—even though it’s quite a challenge for a self-financed large ensemble that relies on cultural funding, with 23 musicians and sound engineers traveling across the country. But everyone enjoyed the tour. And the audience rewarded the growing enthusiasm with loud applause every evening.
The press wrote:
The FUCHSTHONE ORCHESTRA’s Reloaded #7 tour with Evi Fillipou began in Frankfurt, continued via Düsseldorf and Dinslaken to Singen, and then via Munich and Freiburg back to Cologne. It was a fantastic experience—even though it’s quite a challenge for a self-financed large ensemble that relies on cultural funding, with 23 musicians and sound engineers traveling across the country. But everyone enjoyed the tour. And the audience rewarded the growing enthusiasm with loud applause every evening.
The press wrote:
WEITERE ARTIKEL
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.

The annual review of the Kunststiftung NRW reports about FUCHSTHONE ORCHESTRA as an example of funding:
“The Fuchsthone Orchestra is one of the most exciting ensembles in contemporary big band jazz. For five years, it has been inspiring audiences with its unique sound and incomparable energy.” (Horst Peter Koll)
The collaboration between composers and conductors Christina Fuchs and Caroline Thon results in unique works that leave plenty of room for improvisation and experimentation. This mixture of compositional sophistication and creative freedom makes the ensemble an inspiring pioneer in contemporary jazz. The Kunststiftung NRW has been supporting the Fuchsthone Orchestra, one of Germany’s major jazz ensembles, for several years.
The article about FUCHSTHONE can be read as an excerpt in PDF format here (sorry, in german language only):
The complete Kunststiftung NRW Annual Review 2024 can be found on the Kunststiftung’s website:
The annual review of the Kunststiftung NRW reports about FUCHSTHONE ORCHESTRA as an example of funding:
“The Fuchsthone Orchestra is one of the most exciting ensembles in contemporary big band jazz. For five years, it has been inspiring audiences with its unique sound and incomparable energy.” (Horst Peter Koll)
The collaboration between composers and conductors Christina Fuchs and Caroline Thon results in unique works that leave plenty of room for improvisation and experimentation. This mixture of compositional sophistication and creative freedom makes the ensemble an inspiring pioneer in contemporary jazz. The Kunststiftung NRW has been supporting the Fuchsthone Orchestra, one of Germany’s major jazz ensembles, for several years.
The full article about FUCHSTHONE can be read as an excerpt in PDF format here (sorry, in german language only):
The complete Kunststiftung NRW Annual Review 2024 can be found on the Kunststiftung’s website:
WEITERE ARTIKEL
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.

jazz-fun.de | The online magazine for music and culture
jazz-fun.de is an independent online magazine that deals with topics related to music and culture. Sarah Seidel invited the leaders of the FUCHSTHONE ORCHESTRA for an interview at JAZZAHEAD, the most important trade fair for all those involved in the jazz business. It was about insights into the compositional work and the challenges and opportunities of such a large-scale project! A conversation about sound visions, equality and the power of collective creativity.
The complete interview (video):
jazz-fun.de | The online magazine for music and culture
jazz-fun.de is an independent online magazine that deals with topics related to music and culture. Sarah Seidel invited the leaders of the FUCHSTHONE ORCHESTRA for an interview at JAZZAHEAD, the most important trade fair for all those involved in the jazz business. It was about insights into the compositional work and the challenges and opportunities of such a large-scale project! A conversation about sound visions, equality and the power of collective creativity.
The complete interview (video):
MORE NEWS
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.



PROJECT
The collaboration was fantastic and energetic from the very first note in rehearsals, through the live concerts of the fall tour, to the studio recording at Hansahaus Studios Bonn with Nico Raschke. It was an extremely inspiring and enriching encounter, both personally and musically, which will continue in 2026 with the CD release concerts.
Christina Fuchs and Caroline Thon composed the program RELOADED #7 specifically for this new lineup. The tour in November was followed by studio recordings in December for the FUCHSTHONE ORCHESTRA’s second album, which will be released in 2026 on the Swiss label UNIT Records (release date May 29, 2026).
Reloaded #7 concerts:
06.11.2025 Romanfabrik Frankfurt/M
08.11.2025 Schmiede Düsseldorf
09.11.2025 Kathrin-Türks-Halle Dinslaken
20.11.2025 Jazzclub Singen
21.11.2025 Unterfahrt München
23.11.2025 Jazzhaus Freiburg
06.12.2025 Stadtgarten Köln
With their reloaded # concert series, the FUCHSTHONE ORCHESTRA, in cooperation with the European Center for Jazz and Contemporary Music / Stadtgarten Cologne, pursues the consistent ongoing development of their compositions in a direct exchange with the orchestra.
“NEUES PROGRAMM, NEUE KLANGFARBEN – Das neue Programm Reloaded #7 setzt die Tradition des Orchesters fort, dass nur Originalwerke, die die Leiterinnen speziell für das Ensemble geschrieben haben, gespielt wurden. … Das Fuchsthone Orchestra ist eines der wichtigsten Großensembles in der gegenwärtigen Jazzszene. Wobei die Musik weit über die Grenzen des klassischen Jazz und der klassischen Big Band Literatur hinausweist. Das Publikum in der Düsseldorfer Jazz Schmiede war von der Musik gerührt und ergriffen.”